Aralox wrote:I saw this signature which belonged to some random on some random forum, and i was so attracted to it i saved it. i want to recreate it, can anyone help?

(this is also posted at the Paint.NET forums)
Sure...let's dissect it (that's pretty much what this section is for...image dissection is handy for people who want to learn technique and how to look at an image and figure out how to reproduce an effect).
From back to front, we have:
1. A white background
2. A faded black (or grey) graphic
3. Black text with a linear gradient (transparent at top, opaque at bottom)
4. A red-tinted drop shadow, no horizontal offset...just vertical
5. A non-filled red circle, transparent to some degree, with a 40-50px thickness
6. Another circle, exactly the same size, that fades from grey at the inner and outer rim to transparent in the middle of the stroke.
7. A gradient (white to trans) in a circular shape at the top outer edge and bottom inner edge of the circle.
8. A red rectangle, tilted at an angle
9. A second rectangle, exactly the same size, that fades from grey at the inner and outer rim to transparent in the middle of the stroke.
10. A linear gradient (white to trans) at the same angle as the rectangles.
11. White text with a grey outline at the same angle as the rectangles.
That's what I see when I look at it...actually, I look at pretty much all images that way anhymore...constantly trying to figure out how they were made. When I find a technique that I can't figure out how to approach, I'll typically ask the artist what they did to accomplish it. When I started doing chrome borders, it was one linear gradient from black to white, and then numerous others on top of that from black to transparent, on their own layers, and with varying opacity. Curves became my friend after a hint from BarkBark...and I learned something about unfocus, too, but I'm getting off track.
I went through this process a lot when trying to figure out how to use Paint.NET. My Helio-style avatar tutorial was one result of this type of investigation.
Taking what we observe above (and please chime in if you see the layers differently...I see what I know I would try to recreate), you go layer-by layer and try to build something reasonable.
If I were going to attempt this (and I might), I'd probably start with a square canvas large enough for the entire circle to fit, and work from there, trimming it at the very end.